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Cult of the lamb animation12/5/2023 ![]() ![]() And we had four or five animators across all of the Lamb trailers, including myself. We have a character layout role, which isn’t always someone who’s an animator themselves, but more of a strong illustrator. ![]() Everything from concept to what you see is us, which is pretty exciting. We actually wrote all the scripts and storyboarded everything. The publisher, Devolver Digital, put a lot of trust in us. We were given a lot of creative freedom on the Lamb project. But all the filmmaking decisions, we make together. So on our Toon Boom Harmony projects, I’m a little more on tools. He’s the head of 3D here, and I’m the head of 2D. Who collaborated on this project, and what were their roles?īill: David and I co-direct all of our projects. It was the biggest animation order we’d received since we started doing this.Ĭult of the Lamb‘s announcement trailer, animated by Half Giant. Then on the strength of that, Devolver Digital, ordered three more trailers from us. That’s a lot of exposure, getting your trailer in the opening night presentation for Gamescom. We did an announcement trailer for their game, which premiered at Gamescom 2021, which was a pretty big deal for us. Getting that job is pretty much the reason that we’re in business today. So that’s how we initially got hooked up with them. And eventually got to Julian Wilton, the director of Cult of the Lamb. We did a couple of 3D trailers, and then based on the strength of those, word-of-mouth spread a bit. We started off making game trailers for friends, as we have friends in the game industry. My experience is in children’s television, where I used a lot of Harmony. David Smith (my co-director) and I both have backgrounds in film and TV animation. How did animating Cult of the Lamb ’s trailers impact work at Half Giant?īill: We started Half Giant a couple of years ago. In the launch trailer animated by Half Giant, The Lamb fights enemy cultists and attempts to rescue new recruits. ![]()
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